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In a machine age, dressmaking is one of the last refuges of the human, the personal, the inimitable.

Christian Dior

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Christian Dior
Age: 52 †
Born: 1905
Born: January 21
Died: 1957
Died: October 24
Businessperson
Fashion Designer
Grand Couturier
Saint-Nicolas-près-Granville (réunie à Granville)
Dior
Fashion
Age
Lasts
Refuges
Last
Inimitable
Human
Refuge
Humans
Machine
Machines
Personal

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Women, with their sure instincts, realized that my intention was to make them not just more beautiful but also happier.
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Elegance must be the right combination of distinction, naturalness, care and simplicity. Outside this, believe me, there is no elegance. Only pretension.
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Of the women in my childhood, I retain above all the memory of their perfumes, perfumes that lingered - filling the lift with fragrance long after they had gone.
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Deep in every heart slumbers a dream
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Every bite you eat stays in mouth for two minutes, for two hours in stomach and for two month on hips.
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A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body.
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Individuality will always be one of the conditions of real elegance
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My dream? To make women happier and more beautiful.
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The rich live the same all over the world.
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By being natural and sincere, one often can create revolutions without having sought them.
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My weakness ... is architecture. I think of my work as ephemeral architecture, dedicated to the beauty of the female body.
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Long after one has forgotten what a woman wore, the memory of her perfume lingers.
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There is certainly a red for everyone.
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Black and white might be sufficient. But why deprive yourself of color.
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Bright reds - scarlet, pillar-box red, crimson or cherry - are very cheerful and youthful. There is certainly a red for everyone.
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Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.
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You can never really go wrong if you take nature as an example
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No fashion is ever a success unless it is used as a form of seduction.
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Real elegance is everywhere, especially in the things that don't show.
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I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.
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