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Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.

Chris Ware

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Chris Ware
Age: 56
Born: 1967
Born: December 28
Artist
Cartoonist
Comics Artist
Graphic Designer
Illustrator
Novelist
Visual Artist
Writer
Omaha
Nebraska
F. C. Ware
F. Chris Ware
Franklin Christenson Ware
Things
Particular
Reduce
Bits
Heroic
Focus
Aspects
Sort
Whereas
Certain
Memory
Restructure
Seems
Aspect
Magnify
Littles
Seem
Edit
Little
Memories
Edits

More quotes by Chris Ware

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Lately, I cant shake the feeling that Ive been living a dream for the last 10 years or so I cant account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.
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Sometimes I get worried I'm getting too caught up in the nauseatingly oily smoothness of my own line, when all I'm trying to do is make it as clear as possible.
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Drawing on a computer doesn't make any sense to me. It's not intuitive.
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I think cartooning gets at, and re-creates on the page, some sixth sense ... in a way no other medium can.
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I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.
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There is absolutely no single aspect of one's personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics.
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Cartoons are not real drawings, because they are drawings intended to be read.
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I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the honesty of the story.
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Cartooning isn't really drawing, any more than talking is singing... The possible vocabulary of comics is by definition unlimited, the tactility of an experience told in pictures outside the boundaries of words, and the rhythm of how these drawings 'feel' when read is where the real art resides.
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I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.
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I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
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As a cartoonist, my single goal is to create people with whom, for better or for worse - and regardless of how embarrassing it sounds - I can fall in love and somehow feel something deeply about, and through.
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I guess I just don't like being physically in front of people I don't know very well, because I expect to be seen through, or, even worse, instantly hated.
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The modern world seems to make fun of people in a lot of ways.
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I prefer to imagine that my wife, a few friends, and occasionally my mom are the only ones who read what I do, though I realize that this is somewhat unrealistic.
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There's something very strange and wrong-seeming about drawing realistic eyeballs in comics, at least in the mode of comics where action is carried more by the movement of the characters rather than where narration links disparately framed selected images.
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One of the things that appealed to me most about comics was that you can pick the ones you like and build your own personal pantheon.
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I have a preponderance to look smug in photos something to do with the way my mouth turns up at the corners.
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Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.
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I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.
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