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I prefer to imagine that my wife, a few friends, and occasionally my mom are the only ones who read what I do, though I realize that this is somewhat unrealistic.

Chris Ware

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Chris Ware
Age: 56
Born: 1967
Born: December 28
Artist
Cartoonist
Comics Artist
Graphic Designer
Illustrator
Novelist
Visual Artist
Writer
Omaha
Nebraska
F. C. Ware
F. Chris Ware
Franklin Christenson Ware
Ones
Realizing
Wife
Unrealistic
Imagine
Occasionally
Though
Somewhat
Friends
Prefer
Read
Mom
Realize

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The thing I don't understand is why so often one hears discussion of the fruits of human labor as if it's all the creation of some alien race.
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Cartoons are not real drawings, because they are drawings intended to be read.
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Even the disappointing diffusion of a sheer curtain can suggest the most colorful bouquet of unspeakable secrets.
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My mother was always encouraging about my wanting to be an artist.
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Sometimes I get worried I'm getting too caught up in the nauseatingly oily smoothness of my own line, when all I'm trying to do is make it as clear as possible.
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I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
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One of the things that appealed to me most about comics was that you can pick the ones you like and build your own personal pantheon.
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There is absolutely no single aspect of one's personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics.
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There's something very strange and wrong-seeming about drawing realistic eyeballs in comics, at least in the mode of comics where action is carried more by the movement of the characters rather than where narration links disparately framed selected images.
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My grandmother was an unparalleled storyteller who gave me a preview of how life might turn out, and also fortified my empathy.
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As a cartoonist, my single goal is to create people with whom, for better or for worse - and regardless of how embarrassing it sounds - I can fall in love and somehow feel something deeply about, and through.
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Drawing on a computer doesn't make any sense to me. It's not intuitive.
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Real drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.
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Every city began as a campsite - pg. 25
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Comics are not a genre, but a developing language.
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Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.
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I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the honesty of the story.
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I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.
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Comics is different than writing because when you draw something you are trying to visualize it and you are trying to put yourself in that space. And when you're drawing something, all sorts of associations come up in my mind that I never would have thought of otherwise.
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I have a preponderance to look smug in photos something to do with the way my mouth turns up at the corners.
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