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My grandmother was an unparalleled storyteller who gave me a preview of how life might turn out, and also fortified my empathy.

Chris Ware

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Chris Ware
Age: 56
Born: 1967
Born: December 28
Artist
Cartoonist
Comics Artist
Graphic Designer
Illustrator
Novelist
Visual Artist
Writer
Omaha
Nebraska
F. C. Ware
F. Chris Ware
Franklin Christenson Ware
Life
Storyteller
Grandmother
Empathy
Gave
Turn
Turns
Fortified
Also
Preview
Might
Unparalleled

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No one blames themselves if they don't understand a cartoon, as they might with a painting or real art they simply think it's a bad cartoon.
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I believe that the development of language - of naming, categorization, conceptualization - destroys our ability to see as we age.
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There is absolutely no single aspect of one's personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics.
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Comics is different than writing because when you draw something you are trying to visualize it and you are trying to put yourself in that space. And when you're drawing something, all sorts of associations come up in my mind that I never would have thought of otherwise.
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Lately, I cant shake the feeling that Ive been living a dream for the last 10 years or so I cant account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.
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The thing I don't understand is why so often one hears discussion of the fruits of human labor as if it's all the creation of some alien race.
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Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done.
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The modern world seems to make fun of people in a lot of ways.
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There's something very strange and wrong-seeming about drawing realistic eyeballs in comics, at least in the mode of comics where action is carried more by the movement of the characters rather than where narration links disparately framed selected images.
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As a cartoonist, my single goal is to create people with whom, for better or for worse - and regardless of how embarrassing it sounds - I can fall in love and somehow feel something deeply about, and through.
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I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
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Cartoons are not real drawings, because they are drawings intended to be read.
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Drawing on a computer doesn't make any sense to me. It's not intuitive.
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Even the disappointing diffusion of a sheer curtain can suggest the most colorful bouquet of unspeakable secrets.
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I guess we all make choices as to how we want to live, right?
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Sometimes I get worried I'm getting too caught up in the nauseatingly oily smoothness of my own line, when all I'm trying to do is make it as clear as possible.
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Comics are not a genre, but a developing language.
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I can definitely say that of all my friends who I consider to be really great cartoonists, we're all trying to aim at basically the same thing, which is an ever closer representation of what it feels like to be alive.
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Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.
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I have a preponderance to look smug in photos something to do with the way my mouth turns up at the corners.
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