I'm not really much of a prankster, but I've definitely been pranked. I never really liked being pranked, so I generally try not to prank people.

I didn't get any college credit for playing in Vampire Weekend, you know. So it was definitely an early hurdle to get over with C.T. winning and us losing to C.T.. But I think sorta since then, in the four years since, we've managed to pave everything over.

When you're working on a record, I find it's better not to share details during that process. Because, until it's done, it can change.

I think you can realise that a lot of people in bands - well - I guess you kinda wanna... There's a lot less mystique in playing in a rock band today, than in the 60's or 70's. I don't think there's any bands that I can think of, that have this rock god myth that like Led Zeppelin had.

I've been getting really into mixing, and there's kinda like an art to it I think. I feel like I still have a lot of ways to grow. But you can just watch the way that other people blend songs together, and it can be a pretty mind-blowing thing. And you can hear music in a very different way, depending on the way a DJ presents it.

Now, I'm mostly a beer man. When I drink hard liquor, it usually doesn't end the best, so I keep it chill with beer.

Sometimes if I go to a show, someone will recognize me. But the neighborhood I live in, there's so many people who are in successful bands that it's really not a big deal. And I like that. I like the energy of going to lunch with a friend, seeing the three dudes from Yeasayer walking in, and saying hi to them. I think that's neat.

I found in general, I got involved in that station toward the end of my freshmen year, and I just loved how there's this incredible library of music that I'd never heard of from all over the world and different genres.

I like being barefoot in my apartment. The comfiest shoe is the human foot, I think. There's all sorts of articles that say wearing a shoe is actually bad for the human foot. I love to go barefoot whenever I can.

When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.