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One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Love
Fiction
Science
Symbolically
Ends
Metaphorically
Also
Weirdness
Best
Laden
Much
Creates
Always
Fantasy
Things
Completely

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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
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Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.
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Subby Subby Subby, whispered Goss. Keep those little bells on your slippers as quiet as you can. Sparklehorse and Starpink have managed to creep out of Apple Palace past all the monkeyfish, but if we're silent as tiny goblins we can surprise them and then all frolic off together in the Meadow of Happy Kites.
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I remember vividly what it's like to read as a 10-year-old - that passionate inhabiting of a book.
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Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
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The best way to write a novel is to do it behind your own back.
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Socialism and SF are the two most fundamental influences in my life.
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If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
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I'll never be a minimalist. The fact that the prose is more tightly controlled doesn't for a minute mean that it's minimalist. I very much like arcane words and baroque sentence structure.
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I feel fantastically geeky. [But] I'm not one of those people who's enormously proud of being a geek, but nor am I particularly ashamed of it.
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A city like London was always going to be a paradox, the best of it so very riddled with the opposite, so Swiss-cheesed with moral holes.
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I couldn't tell if I was perspicacious or paranoid.
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I'm a very friendly socialist.
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PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
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Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
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So long as it fated, fate didn't care what it fated.
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I'd never been to a science-fiction convention until I became a professional writer.
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Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
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I love it when people want to interpret my books.
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Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.
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