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What I always try to do in all my books is to make the stories such that if you don't agree with me politically or you're not interested in the thematics, the story will still keep you turning the pages.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Stories
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More quotes by China Mieville

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I couldn't tell if I was perspicacious or paranoid.
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My job is not to try to give readers what they want but to try to make readers want what I give.
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I'm a very friendly socialist.
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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
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Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.
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I love it when people want to interpret my books.
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I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
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There's plenty of stuff that I don't feel dissident about: I really like tea, I don't have any problem with that. I like lots of paintings.
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Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
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Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
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I'd never been to a science-fiction convention until I became a professional writer.
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A sense of wrongness, of fraught unease, as if long nails scraped the surface of the moon, raising the hackles of the soul.
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My sustenance is information. My interventions are hidden. I increase as I learn. I compute, so I am.
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For every action, there's an infinity of outcomes. Countless trillions are possible, many milliards are likely, millions might be considered probable, several occur as possibilities to us as observers - and one comes true.
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The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.
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I remember vividly what it's like to read as a 10-year-old - that passionate inhabiting of a book.
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If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
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One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.
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Socialism and SF are the two most fundamental influences in my life.
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My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
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