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I'm a very friendly socialist.
China Mieville
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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Friendly
Socialist
More quotes by China Mieville
It had not been a long journey, but the memory of it filled her like an infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.
China Mieville
The best way to write a novel is to do it behind your own back.
China Mieville
I couldn't tell if I was perspicacious or paranoid.
China Mieville
Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.
China Mieville
My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
China Mieville
PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
China Mieville
Scars are memory. Like sutures. They stitch the past to me.
China Mieville
Anything for gold and experience.
China Mieville
I love it when people want to interpret my books.
China Mieville
I like the idea of trying to write a book in every genre.
China Mieville
I remember vividly what it's like to read as a 10-year-old - that passionate inhabiting of a book.
China Mieville
A sense of wrongness, of fraught unease, as if long nails scraped the surface of the moon, raising the hackles of the soul.
China Mieville
Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
China Mieville
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
China Mieville
Personally I don't like it when writers become excessively proscriptive about the way that people read their books.
China Mieville
Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
China Mieville
To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
China Mieville
London is an endless skirmish between angles and emptiness.
China Mieville
When I'm writing a book, generally I start with the mood and setting, along with a couple of specific imagesthings that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
China Mieville
If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
China Mieville