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I have danced with the spider. I have cut a caper with the dancing mad god.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Mad
Dancing
Cutting
Caper
Capers
Danced
Spider
Spiders

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Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.
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Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
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Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.
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Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.
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If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
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In every book I write, I try to name-check the most prominent influences, or the most prominent conscious influences.
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To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
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I'm a very friendly socialist.
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There's plenty of stuff that I don't feel dissident about: I really like tea, I don't have any problem with that. I like lots of paintings.
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London is an endless skirmish between angles and emptiness.
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I couldn't tell if I was perspicacious or paranoid.
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For every action, there's an infinity of outcomes. Countless trillions are possible, many milliards are likely, millions might be considered probable, several occur as possibilities to us as observers - and one comes true.
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The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.
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Scars are memory. Like sutures. They stitch the past to me.
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PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
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The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.
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I differ with myself then agree, like the rock that was broken and cemented together. I change my opinion.
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Personally I don't like it when writers become excessively proscriptive about the way that people read their books.
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Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
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The best way to write a novel is to do it behind your own back.
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