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I couldn't tell if I was perspicacious or paranoid.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Couldn
Tell
Paranoid

More quotes by China Mieville

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Anything for gold and experience.
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I like the idea of trying to write a book in every genre.
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To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
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There's plenty of stuff that I don't feel dissident about: I really like tea, I don't have any problem with that. I like lots of paintings.
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I remember vividly what it's like to read as a 10-year-old - that passionate inhabiting of a book.
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I'm a very friendly socialist.
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Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.
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Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
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A lot of geeks are pale, bespectacled, wear dark clothing and don't get out much - the stereotype exists because it is very often true. I could pass for a non-geek but it would be inaccurate.
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The best way to write a novel is to do it behind your own back.
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Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd.
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It had not been a long journey, but the memory of it filled her like an infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.
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A city like London was always going to be a paradox, the best of it so very riddled with the opposite, so Swiss-cheesed with moral holes.
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Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
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Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.
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My sustenance is information. My interventions are hidden. I increase as I learn. I compute, so I am.
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I feel fantastically geeky. [But] I'm not one of those people who's enormously proud of being a geek, but nor am I particularly ashamed of it.
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PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
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While yes we can both agree the sudden recovery of this footage smells not a little, and that we appear to be bits of tinfoil-on-string to some malevolent government kitten, yes yes yes but, Borlu, however they've come by this evidence, this is the correct decision.
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