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My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Thing
Air
Hates
Umbrellas
Believe
Level
Sensible
Wielding
Always
Levels
Usual
Overturn
Says
Sufficient
Moisture
Society
Clubs
Swinging
Eye
Presence
Rains
Hate
Dad
Umbrella
Reason
Rain
Taboo
Spiked

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Books are always obviously having conversations with other books, and some times they're amiable and sometimes not.
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I differ with myself then agree, like the rock that was broken and cemented together. I change my opinion.
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It had not been a long journey, but the memory of it filled her like an infection. She had felt tethered by time to the city behind her, so that the minutes stretched out taut as she moved away, and slowed the farther she got, dragging out her little voyage.
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Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.
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I'd never been to a science-fiction convention until I became a professional writer.
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So long as it fated, fate didn't care what it fated.
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My job is not to try to give readers what they want but to try to make readers want what I give.
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Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
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If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.
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Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
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I love it when people want to interpret my books.
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I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
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A sense of wrongness, of fraught unease, as if long nails scraped the surface of the moon, raising the hackles of the soul.
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The best way to write a novel is to do it behind your own back.
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My sustenance is information. My interventions are hidden. I increase as I learn. I compute, so I am.
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I couldn't tell if I was perspicacious or paranoid.
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Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd.
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One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.
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Subby Subby Subby, whispered Goss. Keep those little bells on your slippers as quiet as you can. Sparklehorse and Starpink have managed to creep out of Apple Palace past all the monkeyfish, but if we're silent as tiny goblins we can surprise them and then all frolic off together in the Meadow of Happy Kites.
China Mieville