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If you're brave enough to try, you might be able to catch a train from UnLondon to Parisn't, or No York, or Helsunki, or Lost Angeles, or Sans Francisco, or Hong Gone, or Romeless.

China Mieville

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China Mieville
Age: 52
Born: 1972
Born: September 6
Academic
Anthropologist
Blogger
Fantasy Author
Literary Critic
Novelist
Political Scientist
Politician
Writer
Norwich
Norfolk
China Tom Miéville
China Mieville
China Tom Mieville
Might
Angeles
Enough
Catch
Trying
Brave
Train
York
Gone
Sans
Lost
Hong
Able
Francisco

More quotes by China Mieville

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Scars are not injuries, Tanner Sack. A scar is a healing. After injury, a scar is what makes you whole.
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Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
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So long as it fated, fate didn't care what it fated.
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My job is not to try to give readers what they want but to try to make readers want what I give.
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The reason that I like SF and fantasy and horror is that to me it's the pulp wing of surrealism. That's the aesthetic of undermining and creative alienation that I really go for.
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In every book I write, I try to name-check the most prominent influences, or the most prominent conscious influences.
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I'd never been to a science-fiction convention until I became a professional writer.
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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
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Anything for gold and experience.
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There are only so many ways to experience pain. There are an almost limitless number of ways to inflict it, but the pain itself, initially vividly distinct in all its specifications, becomes, inevitably, just pain.
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Fantasy and science fiction can be literal as well as allegorical and there’s nothing wrong with enjoying a monster like a giant squid for what it is, as well as searching for metaphor.
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A sense of wrongness, of fraught unease, as if long nails scraped the surface of the moon, raising the hackles of the soul.
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I couldn't tell if I was perspicacious or paranoid.
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Scars are memory. Like sutures. They stitch the past to me.
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There's plenty of stuff that I don't feel dissident about: I really like tea, I don't have any problem with that. I like lots of paintings.
China Mieville
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My sustenance is information. My interventions are hidden. I increase as I learn. I compute, so I am.
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A city like London was always going to be a paradox, the best of it so very riddled with the opposite, so Swiss-cheesed with moral holes.
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PEOPLE HAVE WANTED TO narrate since first we banged rocks together & wondered about fire. There’ll be tellings as long as there are any of us here, until the stars disappear one by one like turned-out lights.
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My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
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London is an endless skirmish between angles and emptiness.
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