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Many stories matter. Stories have been used to dispossess and to malign. But stories can also be used to empower, and to humanize. Stories can break the dignity of a people. But stories can also repair that broken dignity.
Chimamanda Ngozi Adichie
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Chimamanda Ngozi Adichie
Age: 47
Born: 1977
Born: January 1
Feminist
Novelist
Poet
Teacher
Writer
People
Dignity
Broken
Dispossess
Break
Malign
Stories
Humanize
Also
Repair
Used
Empower
Matter
Empowering
Many
Brilliant
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Red was the blood of the siblings massacred in the North, black was for mourning them, green was for the prosperity Biafra would have, and, finally, the half of a yellow sun stood for the glorious future.
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To choose to write is to reject silence.
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There has always been a strange dissonance between the public and the private in Nigeria.
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Creative writing programmes are not very necessary. They just exist so that people like us can make a living.
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One of the things that struck me when I came to the U.S. was discovering American poverty.
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I divide my time between Columbia, Maryland, and Lagos, Nigeria.
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There are many different ways to be poor in the world but increasingly there seems to be one single way to be rich.
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Honesty. And I just really think there's a fundamental friendship that needs to exist, whether it's a lover, whether it's a sister...there's just this connection both people need to be effortlessly themselves.
Chimamanda Ngozi Adichie
How [stories] are told, who tells them, when they’re told, how many stories are told — are really dependent on power.
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It is easy to romanticize poverty, to see poor people as inherently lacking agency and will. It is easy to strip them of human dignity, to reduce them to objects of pity. This has never been clearer than in the view of Africa from the American media, in which we are shown poverty and conflicts without any context.
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If the government doesn't fund education, which they often don't, students are going to stay home and not go to school. It affects them directly. But I'm really not interested in writing explicitly about that. I'm really interested in human beings, and in love, and in family. Somehow, politics comes in.
Chimamanda Ngozi Adichie
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
Chimamanda Ngozi Adichie
My grandfather died in the war, my family went through the war, and it affected my parents in really profound ways. I've always wanted to write about that period - in some ways to digest it for myself, something that defined me but that I didn't go through.
Chimamanda Ngozi Adichie
I like the U.S. and feel gratitude towards it.
Chimamanda Ngozi Adichie
I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'
Chimamanda Ngozi Adichie
...there was cement in her soul. It had been there for a while, an early morning disease of fatigue, shapeless desires, brief imaginary glints of other lives she could be living, that over the months melded into a piercing homesickness.
Chimamanda Ngozi Adichie
I don't believe that art and politics or social issues must be separated. In writing about marriage, for example, money can be a big factor, and money is linked to earning, and earning is influenced by politics.
Chimamanda Ngozi Adichie
We teach girls that they cannot be sexual beings in the way that boys are. If we have sons, we don't mind knowing about our sons' girlfriends, but our daughters' boyfriends? God forbid. But of course when the time is right, we expect those girls to bring back the perfect man to be their husband.
Chimamanda Ngozi Adichie