I've noticed that the more adventurous and in that mode that I am, it seems that the more the audience really likes it.

My one thing is I continue to be interested and want to be a student. I don't want to be a master. When I'm learning something, I'm in my element.

My wife, Gayle, is a wonderful musician and singer. We share music, so it's a deep bond.

It's very difficult for me to dislike an artist. No matter what he's creating, the fact that he's experiencing the joy of creation makes me feel like we're in a brotherhood of some kind we're in it together.

You've got to create the space, then fill it.

I decided that I didn't want to spend my time in a liberal arts college.

Every time I see a musician - it doesn't matter what age - that inspires me, there's always a secret little wish that maybe we'll play together, because that's how I learn and grow and so forth, you know. But hopefully there's a lot more.

I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people.

I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.

I searched through rebellion, drugs, diet, mysticism, religion, intellectualism and much more, only to begin to find that truth is basically simple and feels good, clear and right.

It's one thing to just play a tune, or play a program of music, but it's another thing to practically create a new language of music, which is what 'Kind of Blue' did.

I haven't traveled in Africa nearly as much as I'd like to. I've been there a few times, and I'd like to learn more about the various cultures in Africa. But that's the basis point of where all of the music that I love is based upon, from Africa to Cuba to Puerto Rico to South America.

Miles Davis was a part of my life from 1947 on. I was born in 1941 and I first heard him in 1947 on a 78 rpm. And then I followed his career, starting with his first solo album in 1951. He was an icon and inspiration and a mentor to me.