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The family I grew up in had three generations of widows.
Chath Piersath
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Chath Piersath
Family
Three
Widows
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More quotes by Chath Piersath
Everything around you can use. It's like your tools and your material. Whether it's in performing arts like dance, or visual arts, or poetry, a lot of those elements can come and help you, can trigger your creativity. But you have to be open, be aware, and you have to be ready to look.
Chath Piersath
I'd like to do more collaborations because collaboration creates different viewpoints.
Chath Piersath
There are multiple things entering in your mind.
Chath Piersath
It's like you're organically developing yourself, moving out, metamorphosing into other forms depending on where you are, what you're doing at the time, how you want to play on things.
Chath Piersath
A lot of my work is process-oriented. I delve into my work and sit alone in silence and work with the material and process it, like talking to yourself.
Chath Piersath
You have to experiment with different mediums and things around you [making art].
Chath Piersath
You get closer to your own humanity by understanding the stories of other people and the struggles they have.
Chath Piersath
I used to despair about the condition of the world, to feel a sense of hopelessness now I find more and more that I need to focus on what I can do, however little it is, to help others.
Chath Piersath
I read a lot when I was in school in the United States, and even though writing in English is very difficult for me, I wrote in journals.
Chath Piersath
Even if you look in the dictionary you know the meaning of the word or phrase, but there's still the feeling of it.
Chath Piersath
Even though I'm not privileged in the money world, I'm privileged in other ways: I had greater access to education, I can travel, etc. It's the same with writing: the freedom to move in and out of different places, of different realms of existence, of different life forms.
Chath Piersath
Sometimes I fantasize about learning to write in Khmer. Because if I could write in Khmer, my perspective would be very different, because I'm both an outsider and insider and I see the writing in a different way. My description would be different from, say, a local writer.
Chath Piersath
I'm doing a collaborative project with another artist, Mary Hamill. My project is to gather the oral history of war widows, starting with the women of my village, Kop Nymit.
Chath Piersath
I liked museums but I wanted to be a dancer, I wanted to go into performing arts, or be a writer.
Chath Piersath
I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.
Chath Piersath
I think every person has a unique story to tell and we each have the different life events that happen to us and sometimes we may feel sympathetic toward a certain aspect of that life event.
Chath Piersath
Often when people tell their story, they talk about their strengths and resiliency. It's really about their determination and their aspiration to survive and live.
Chath Piersath
I'm also developing my own narrative, because I'm the son of a widow. And so, while working with women and gathering their oral histories, I'm taking a step back to do my own art book and visual work.
Chath Piersath
All throughout my work, even in the United States, I have worked with the greater Cambodian community.
Chath Piersath
Every day you are bombarded by so many different things. When you sit down to process everything, it can become interesting visually. You can incorporate a lot of those things that you internalize.
Chath Piersath