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By trying to control everything we become very neurotic, more and more desperate. It's a huge tragic thing.

Charlotte Rampling

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Charlotte Rampling
Age: 79
Born: 1945
Born: February 5
Film Actor
Film Actress
Model
Singer
Stage Actor
Television Actor
Sturmer
Essex
Tessa Charlotte Rampling
Become
Everything
Thing
Trying
Neurotic
Tragic
Desperate
Huge
Control

More quotes by Charlotte Rampling

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I've lived through deaths in my family and I've lived through separations in my family so those are the big ones. Those are the ones that press the biggest buttons in human beings' lives.
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Ever since I was a small child, Ive had this feeling - its in my nature, and so its not even pretentious - that if everyones going one way, I will go the other, just by some kind of spirit of defiance.
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Doing cinema is not about watching yourself
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European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
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You go though a period of immense pain when reality meets the dream.
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I can be seen as not being very communicative, or rather mysterious, or distant, or rather cold - all those things. Yeah, I know I can give off that impression. So I am that, too.
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The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
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I am not qualified to be a Dame. To be Dame you have to represent England in a way that I don't.
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The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
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You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.
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I regret not having enough training, I trained for a year at The Royal Court, but I very quickly went off to do films and television.
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You cannot watch yourself dispassionately.
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Because one has the animal instinct to seek out the people that suits one - you see people that go on life's journeys and get muddled along the way. If you look at their lives they've always gone with the wrong people... can you say it's the wrong people - I don't know.
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A film based on a jolly good John Grisham book is fine, but I like to get a bit under the skin
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To grieve is something extremely difficult, we don't even know how to begin to grieve, and I don't know how you can be taught to grieve.
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Training is fabulous because it gives you a basis, a strong structure, so that when you're unbelievably nervous and you think that you can't get a word out, you will get the word out.
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We all have loads of information. What an actor does is bring it to the surface. I jump without a net because that's how I am. The information comes out because I am brave enough to allow it. I'm not brave as a human being in everyday life. I'm brave when I'm acting.
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You can't fool an audience with lots of bits and pieces. You have to lead them somewhere.
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I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.
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If words don't have vibration behind them, and a real feeling behind them, then they're just words.
Charlotte Rampling