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You go though a period of immense pain when reality meets the dream.

Charlotte Rampling

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Charlotte Rampling
Age: 79
Born: 1945
Born: February 5
Film Actor
Film Actress
Model
Singer
Stage Actor
Television Actor
Sturmer
Essex
Tessa Charlotte Rampling
Pain
Reality
Dream
Meets
Immense
Period
Periods
Though

More quotes by Charlotte Rampling

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By trying to control everything we become very neurotic, more and more desperate. It's a huge tragic thing.
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We all have loads of information. What an actor does is bring it to the surface. I jump without a net because that's how I am. The information comes out because I am brave enough to allow it. I'm not brave as a human being in everyday life. I'm brave when I'm acting.
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Ever since I was a small child, Ive had this feeling - its in my nature, and so its not even pretentious - that if everyones going one way, I will go the other, just by some kind of spirit of defiance.
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If words don't have vibration behind them, and a real feeling behind them, then they're just words.
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Quite often in life, when a tragic event arrives it becomes a springboard for mirroring all other things in one's life that one hasn't come to terms with.
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The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
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You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.
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I am not qualified to be a Dame. To be Dame you have to represent England in a way that I don't.
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You give, actually, what you have in your inner world through your emotion and feeling. That's what you can give it's not so much about acting in a sense of playing something that's very different to you.
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European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
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You cannot watch yourself dispassionately.
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A film based on a jolly good John Grisham book is fine, but I like to get a bit under the skin
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Because one has the animal instinct to seek out the people that suits one - you see people that go on life's journeys and get muddled along the way. If you look at their lives they've always gone with the wrong people... can you say it's the wrong people - I don't know.
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I've lived through deaths in my family and I've lived through separations in my family so those are the big ones. Those are the ones that press the biggest buttons in human beings' lives.
Charlotte Rampling
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Training is fabulous because it gives you a basis, a strong structure, so that when you're unbelievably nervous and you think that you can't get a word out, you will get the word out.
Charlotte Rampling
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I can be seen as not being very communicative, or rather mysterious, or distant, or rather cold - all those things. Yeah, I know I can give off that impression. So I am that, too.
Charlotte Rampling
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Doing cinema is not about watching yourself
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To grieve is something extremely difficult, we don't even know how to begin to grieve, and I don't know how you can be taught to grieve.
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The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
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You can never really judge your work because once it's done, it's done.
Charlotte Rampling