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You go though a period of immense pain when reality meets the dream.

Charlotte Rampling

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Charlotte Rampling
Age: 79
Born: 1945
Born: February 5
Film Actor
Film Actress
Model
Singer
Stage Actor
Television Actor
Sturmer
Essex
Tessa Charlotte Rampling
Though
Pain
Reality
Dream
Meets
Immense
Period
Periods

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A film based on a jolly good John Grisham book is fine, but I like to get a bit under the skin
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By trying to control everything we become very neurotic, more and more desperate. It's a huge tragic thing.
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We all have loads of information. What an actor does is bring it to the surface. I jump without a net because that's how I am. The information comes out because I am brave enough to allow it. I'm not brave as a human being in everyday life. I'm brave when I'm acting.
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You don't need the painful memories, because either you've resolved them. Denying always makes them want to come back. Denial is a mechanism that doesn't work. But allowing them to come back in little by little, those memories, you can begin to be quite comfortable with them, and it's even nice to have that as part of the map of your life.
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You cannot watch yourself dispassionately.
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You can't fool an audience with lots of bits and pieces. You have to lead them somewhere.
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I've lived through deaths in my family and I've lived through separations in my family so those are the big ones. Those are the ones that press the biggest buttons in human beings' lives.
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If words don't have vibration behind them, and a real feeling behind them, then they're just words.
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I regret not having enough training, I trained for a year at The Royal Court, but I very quickly went off to do films and television.
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Training is fabulous because it gives you a basis, a strong structure, so that when you're unbelievably nervous and you think that you can't get a word out, you will get the word out.
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Because one has the animal instinct to seek out the people that suits one - you see people that go on life's journeys and get muddled along the way. If you look at their lives they've always gone with the wrong people... can you say it's the wrong people - I don't know.
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The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
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Doing cinema is not about watching yourself
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You can never really judge your work because once it's done, it's done.
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Ever since I was a small child, Ive had this feeling - its in my nature, and so its not even pretentious - that if everyones going one way, I will go the other, just by some kind of spirit of defiance.
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To grieve is something extremely difficult, we don't even know how to begin to grieve, and I don't know how you can be taught to grieve.
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Quite often in life, when a tragic event arrives it becomes a springboard for mirroring all other things in one's life that one hasn't come to terms with.
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I am not qualified to be a Dame. To be Dame you have to represent England in a way that I don't.
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The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
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I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.
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