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My continuum? Blimey! For me,Black Mirror is all part of the whole.

Charlie Brooker

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Charlie Brooker
Age: 53
Born: 1971
Born: March 3
Broadcaster
Comedian
Journalist
Screenwriter
Showrunner
Television Presenter
Television Producer
Charlton Charlie Brooker
Mirror
Mirrors
Black
Part
Whole
Continuum

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Technology isn't the villain and the people aren't often really the villain so much as they're weak.
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Technology is a global thing and wherever you go, people are prodding the same devices and worrying in the same way and have had their lives slightly altered in the same way.
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The iPad falls between two stools - not quite a laptop, not quite a smartphone. In other words, it's the spork of the electronic consumer goods world.
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I could worry that I'm going to bleed to death, you know, from cutting my finger on a sandwich packet, you know, if I sort of open a sandwich.
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We take things that would have struck us as miraculous five years ago for granted. Like Pokémon Go would have been insane, and now it's just like, Oh, okay.
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You sort of perform your personality, I guess, to everyone on some level.
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While I was thinking about that, the military, I read a book called On Killing, about the obstacles people have to pulling the trigger in combat. So sometimes you just absorb all this stuff without realizing you were doing research.
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I think overseas viewers assume that Black Mirror is written by the Unabomber, essentially - a Ludd­ite, technology-hating, angry old man waving his fist at the App Store.
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Online you're encouraged to perform one personality for everyone.
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I would say the thing you can still see in Black Mirror is that I was probably traumatized by the specter of nuclear war. I was born in 1971, and in the '80s I came to understand that I was inevitably going to be frazzled to death in the nuclear apocalypse.
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That's not something that we've gone in thinking 'Right! How are we going to examine that now?' It's just when you take a step back you see that they're actually all sort of in that mode.
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I did once leave one of [my kid] watching something on YouTube, something completely innocuous, and I went out of the room and the algorithm kept playing the next thing and the next thing and somehow worked its way around to showing him the trailer for John Carpenter's The Thing - at which point I walked back in. He wasn't happy.
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My theory is that we used to have several personalities, and now we're encouraged to have one online.
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[One of my kids ]is not named after Aldous Huxley. I haven't even read Brave New World!
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In comedy writing, a sitcom plot is basically the same thing: What's the worst thing that could happen? But you're playing it for comic effect. It's a similar muscle being used with Black Mirror.
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Hi-def is merely the latest in a string of evolutional leaps that have transformed the way we sit slumped in front of a box wishing we were dead.
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One of the benefits of aligning yourself with an indistinct cluster of people is that claiming to feel their pain is often enough.
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Obviously, you try not to repeat yourself so that forces you to re-evaluate what you're doing constantly [in Black Mirror].
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I actually had that conversation with [Channel 4 Chief Creative Officer] Jay Hunt. We were at a bit of a crisis point. I'd written a totally different script - about war, basically - that got rejected at the last minute for various reasons. The whole of the series was in doubt. I said, Well, there is one other idea [National Anthem].
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Proper work usually involves performing a task you hate on behalf of people you'd gleefully club to death with a bull's knee if only it were legal to do so.
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