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How bittersweet it is, on winter's night, To listen, by the sputtering, smoking fire, As distant memories, through the fog-dimmed light, Rise, to the muffled chime of churchbell choir.
Charles Baudelaire
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Charles Baudelaire
Age: 46 †
Born: 1821
Born: April 9
Died: 1867
Died: August 30
Art Critic
Author
Essayist
Literary Critic
Poet
Translator
Writer
Paris
France
Baudelaire
Charles Pierre Baudelaire-Dufaÿs
Charles Pierre Baudelaire
Fire
Choir
Night
December
Sputtering
Light
Distant
Dimmed
Smoking
Chime
Rise
Muffled
Winter
Chimes
Listen
Bittersweet
Memories
Fog
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I have to confess that I had gambled on my soul and lost it with heroic insouciance and lightness of touch. The soul is so impalpable, so often useless, and sometimes such a nuisance, that I felt no more emotion on losing it than if, on a stroll, I had mislaid my visiting card.
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What strange phenomena we find in a great city, all we need do is stroll about with our eyes open. Life swarms with innocent monsters.
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It would perhaps be nice to be alternately the victim and the executioner.
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Imagination is an almost divine faculty which, without recourse to any philosophical method, immediately perceives everything: the secret and intimate connections between things, correspondences and analogies.
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The dandy should aspire to be uninterruptedly sublime. He should live and sleep in front of a mirror.
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Pure draughtsmen are philosophers and dialecticians. Colourists are epic poets.
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We are all born marked for evil.
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Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
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Here comes the time when, vibrating on its stem, every flower fumes like a censer noises and perfumes circle in the evening air.
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The vices of man, as full of horror as one might suppose them to be, contain the proof (if in nothing else but their infinitely expandable nature) of his taste for the infinite only, it is a taste that often takes a wrong turn.
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Artist should look at the reality and brutality of modern life in all its color, nature with all its imperfections - that should be the challenge to the modern painter not the didactic idealization of the past. The new generation should forge a new path.
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If a given combination of trees, mountains, water, and houses, say a landscape, is beautiful, it is not so by itself, but because of me, of my favor, of the idea or feeling I attach to it.
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