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No place is perfect, but I admire Oahu for its offering of the tropical and the urban, and then its Asian-inflected culture and cuisines.

Chang-Rae Lee

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Chang-Rae Lee
Age: 59
Born: 1965
Born: July 29
Academic
Novelist
University Teacher
Writer
Seoul Teukbyeolsi
Perfect
Culture
Cuisines
Place
Tropical
Cuisine
Asian
Urban
Offering
Admire

More quotes by Chang-Rae Lee

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A tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there’s finally no telling exactly where it begins, or ends, or where it places you now.
Chang-Rae Lee
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It is 'where we are' that should make all the difference, whether we believe we belong there or not.
Chang-Rae Lee
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Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
Chang-Rae Lee
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What if loving something means you should mostly feel frustrated and thwarted? And then a little ruined, too, by the pursuit? But you keep coming back for more?
Chang-Rae Lee
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So my first book I had no experience having written a book, but each book is a little snapshot of who you are at that moment, accrued all through time, so I accept that.
Chang-Rae Lee
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Imagination might not be limitless. It's still tethered to the universe of what we know.
Chang-Rae Lee
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It's not that I wrote those details, but photos can give you the confidence that you have a real feel for the landscape. Then you can invent with a solid kind of faith, and recreate a feel and flavor of the time, and, one hopes, a tonality, a sense of that time having been lived by those characters.
Chang-Rae Lee
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I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.
Chang-Rae Lee
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I think the action is ninety-three percent, and the consideration is peppered throughout but pretty short... Once I start it, I feel as though I don't want to look over my shoulder too much. I want to trust the preparations I've made.
Chang-Rae Lee
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I'd always wanted to write something about the Korean War because of my heritage. My father lost his brother during the war, and I fictionalized that episode, which was told to me very briefly without much detail.
Chang-Rae Lee
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Most people dont think about race as much as I do. They dont have to.
Chang-Rae Lee
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I really try to forget. I only look at my old works if there's an interview and someone asks me about it. Otherwise, it's not even in the rearview mirror.
Chang-Rae Lee
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For sometimes you can't help but crave some ruin in what you love.
Chang-Rae Lee
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The past, as you suggest, is absolutely present at all times and the present is born from the past. I wouldn't want to suggest that the past determines the present.
Chang-Rae Lee
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In this difficult era the most valuable commodity is the unfailing turn of the hours and how they retrieve for us the known harbor of yesterday.
Chang-Rae Lee
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All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.
Chang-Rae Lee
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As for what's the most challenging aspect of teaching, it's convincing younger writers of the importance of reading widely and passionately.
Chang-Rae Lee
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Maybe someone's who's a different kind of writer [would think otherwise] - someone who'd be just as comfortable writing essays on what their novels are about. Sometimes you feel like certain novelists are like that.
Chang-Rae Lee
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What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we're sure we ought to bring along. We pack too heavy with what we hope we'll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn.
Chang-Rae Lee
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When I'm describing wartime activities or violence I don't want to be too ornate, to prettify the picture. Once we trace them to the present, the prose becomes denser.
Chang-Rae Lee