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To be honest, Im not that much of a reader of Korean fiction, since so little is translated.

Chang-Rae Lee

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Chang-Rae Lee
Age: 59
Born: 1965
Born: July 29
Academic
Novelist
University Teacher
Writer
Seoul Teukbyeolsi
Honest
Since
Littles
Little
Much
Translated
Korean
Reader
Fiction

More quotes by Chang-Rae Lee

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You can be affected by a person because of something particular they said or did but sometimes how a person was, a manner of being, that gets most deeply absorbed, and prompts you to revisit certain parts of your life with an enhanced perspective, flowing forward right up to now.
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Do not discount the psychic warmth of the hive.
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I think the action is ninety-three percent, and the consideration is peppered throughout but pretty short... Once I start it, I feel as though I don't want to look over my shoulder too much. I want to trust the preparations I've made.
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I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
Chang-Rae Lee
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What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we're sure we ought to bring along. We pack too heavy with what we hope we'll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn.
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It's not that I wrote those details, but photos can give you the confidence that you have a real feel for the landscape. Then you can invent with a solid kind of faith, and recreate a feel and flavor of the time, and, one hopes, a tonality, a sense of that time having been lived by those characters.
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One of the things my friends would tell you is that I hang out with a lot of non-writers - just regular people like bankers and teachers, and I actually try to steer our talk away from my work when I get together with them.
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A tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there’s finally no telling exactly where it begins, or ends, or where it places you now.
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I did feel a little afraid, as you say, the complete liberty and elasticity of it. But I found that I liked some of the things that it availed me of in terms of emotion and tonal stuff. I came to find it appealing.
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All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.
Chang-Rae Lee
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I really try to forget. I only look at my old works if there's an interview and someone asks me about it. Otherwise, it's not even in the rearview mirror.
Chang-Rae Lee
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I had a visceral connection to the period [of Korean War]. By visceral I suppose I mean emotional. But every fiction requires so much that is not that so I did a lot of other research and a lot of thinking, a lot of struggling there.
Chang-Rae Lee
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Maybe someone's who's a different kind of writer [would think otherwise] - someone who'd be just as comfortable writing essays on what their novels are about. Sometimes you feel like certain novelists are like that.
Chang-Rae Lee
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It is 'where we are' that should make all the difference, whether we believe we belong there or not.
Chang-Rae Lee
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When I'm describing wartime activities or violence I don't want to be too ornate, to prettify the picture. Once we trace them to the present, the prose becomes denser.
Chang-Rae Lee
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For sometimes you can't help but crave some ruin in what you love.
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As for what's the most challenging aspect of teaching, it's convincing younger writers of the importance of reading widely and passionately.
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I'd always wanted to write something about the Korean War because of my heritage. My father lost his brother during the war, and I fictionalized that episode, which was told to me very briefly without much detail.
Chang-Rae Lee
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By definition it uses and plays and delights in time. It delights in the interlacing of chronologies and the consequences of that interlacing. And those have personal and psychological expressions in a character. Aside from other issues of writing, psychological characterization is what narrative can do best.
Chang-Rae Lee
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In this difficult era the most valuable commodity is the unfailing turn of the hours and how they retrieve for us the known harbor of yesterday.
Chang-Rae Lee