Quote

For live you need a microphone for the snare and the high hat, the kick drum, a nice stereo overhead and one for the toms - you can get away with using four mikes.

Chad Smith

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Chad Smith
Age: 62
Born: 1962
Born: October 25
Drummer
Musician
St Paul
Minnesota
Four
Toms
Hate
Mike
Stereo
Away
Kick
Snare
Live
Hats
Microphone
Need
Kicks
Snares
Needs
Using
Microphones
Nice
Overhead
High
Drum

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I'm being a dad and a good husband.
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Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head.
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Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl their Export Series is great for a beginner.
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Flea and Anthony are into funk, like old school Meters and stuff like that.
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I just played at a club in L.A. called the Baked Potato. It fits like 90 people. It's like playing somewhere in a basement in, like, Indiana or somewhere where all your friends show up. It's really fun and there's a very different energy to that than to play to 50,000 at a Tokyo baseball stadium.
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I'm a little more of a lead instrument in the Meatbats.
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Going up north with the redwoods and driving along the coast, it's got everything, man. It's got the desert, the mountains, and the ocean. It's beautiful.
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I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player.
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The juxtaposition of words - the color, feeling, and sound of the words together - has as much to do with the story as the narrative itself does.
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Music doesn't solve your problems..but allows you to dance all over them
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I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
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Jazz can be so serious, no sense of humor.
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Its very sort of spontaneous and organic, not a preconceived sort of jamming. Now we record everything, cause sometimes you'll forget, you know, 'what was that thing again?' So we record everything.
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There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.
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I just love to play and I get a chance to play with other musicians and I jump on it.
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We always feel pretty creative as far as writing songs. We write them together we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.
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I feel like in order to challenge yourself you have to get out of and do things that feel wrong at first and find new things. It's important to look for those things.
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In some of the L.A. clubs, people can act too cool to get into your music. That can get to be a bit much.
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