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Another older writer that had a huge influence on me is Chekhov. More contemporarily, it's hard to say.

Chad Harbach

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Chad Harbach
Age: 49
Born: 1975
Born: January 1
Novelist
Writer
Racine
Wisconsin
Chad Daniel Harbach
Older
Writer
Influence
Huge
Another
Hard
Chekhov

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The challenge for any fiction writer is that your job involves simply sitting at a desk for a very, very long time.
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It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.
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In fact, theres a lot to legitimately hate about pro sports and the way they are conducted.
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A lot of my close friends had tolerantly washed their hands of the whole idea of me writing a book. They had said to themselves, I don't know what he's doing.
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For many years I didn't have health insurance.
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I'm just kind of really interested in athletes as artists of a pretty serious variety and people who devote themselves to what they do in a really incredible way.
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Most writers, most books, you have no idea whether it was a dollar or a million dollars.
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Looking at and shaping your own work is a very intuitive process. You see something you've written in your notebook. It's there on the page and either feels right or it doesn't, and it's hard sometimes to go beyond that and discover why it feels that way.
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I sold a book six years after I left an MFA program. In between, there was a lot of endurance of poverty and a lot of fighting off doubt. It's all a part of the process of being or becoming a writer.
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Other things awaited. It was good to be young and to know it for once. So much unfolding to do.
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There are three stages: Thoughtless being. Thought. Return to thoughtless being.
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Fiction and nonfiction, for me, involve very different processes.
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Poetry might be more about the eternal verities, the essence of the human soul, and - although it's reductive to say so - fiction has perhaps been more about the differences between the unconstrained world of the imagination and the realities you run into, day-to-day, when you're riding your donkey.
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To my parents, writing seemed precarious and not the best idea.
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... people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering.
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Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he's wrong.
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The novel has always been the form that incorporates other forms. For me, it has always been the ultimate medium.
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The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not.
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Every dude in your high school wasn't striving to be the best poet because then he'd get all the girls, right? But you could imagine a society in which that were the case.
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I tended to write the book in these bursts of two or three months at a time. So I would know, or at least feel securely, that for the next few months I was at least going to have a few hours a day.
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