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It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.

Chad Harbach

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Chad Harbach
Age: 49
Born: 1975
Born: January 1
Novelist
Writer
Racine
Wisconsin
Chad Daniel Harbach
Fun
Anything
Book
Writing
Years
Never
Published
Seven
Especially

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In fact, theres a lot to legitimately hate about pro sports and the way they are conducted.
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I tended to write the book in these bursts of two or three months at a time. So I would know, or at least feel securely, that for the next few months I was at least going to have a few hours a day.
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Another older writer that had a huge influence on me is Chekhov. More contemporarily, it's hard to say.
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The novel has always been the form that incorporates other forms. For me, it has always been the ultimate medium.
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The challenge for any fiction writer is that your job involves simply sitting at a desk for a very, very long time.
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Fiction and nonfiction, for me, involve very different processes.
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Somehow, you can achieve a directness in the novel that you can't get anywhere else.
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Most writers, most books, you have no idea whether it was a dollar or a million dollars.
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He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story.
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The effects of MFA programs, and the rise of creative writing instruction more generally, are far more diffuse than people think. Even if you're a writer who has avoided institutions your whole life, you're still going to be reading a lot of writers who have MFAs, and are affiliated with universities.
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... people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering.
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I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek a lot of short story writers, for one thing.
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There are three stages: Thoughtless being. Thought. Return to thoughtless being.
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If you're part of any kind of writerly community, some of those people will have gone through MFA programs, and their thinking leaks into yours. So whatever changes MFAs have made to the culture, it's to the culture as a whole. It can't be pinned down to individual books in a way that some people would like to do.
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Every dude in your high school wasn't striving to be the best poet because then he'd get all the girls, right? But you could imagine a society in which that were the case.
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The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not.
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Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he's wrong.
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I sold a book six years after I left an MFA program. In between, there was a lot of endurance of poverty and a lot of fighting off doubt. It's all a part of the process of being or becoming a writer.
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To my parents, writing seemed precarious and not the best idea.
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Poetry might be more about the eternal verities, the essence of the human soul, and - although it's reductive to say so - fiction has perhaps been more about the differences between the unconstrained world of the imagination and the realities you run into, day-to-day, when you're riding your donkey.
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