It's that athlete's obsessiveness - the need to prove yourself and work harder than anybody else. I think it's what helped me do well in the theater.

The thing I received from Girl Scouts more than anything else was a sense of real teamwork and working for the community, helping others, and it was not competitive. I remember working as a group to achieve a goal or to help the community. There was a great sense of accomplishment in that.

I would climb on roofs and jump off using my parents' bed sheet, hoping it would open like a parachute. I was always getting hurt, breaking a leg, you know, bruising, cracking my head open.

In high school I never went to the prom because I was too consumed with gymnastics. Also, with my hair in pigtails and looking about 10, I wasn't exactly date material.

Actually, performing is a lot like golf. You are alone, so vulnerable.

I will jump into most any role.

Flying is such a joy. You just want to hoot.

There's so much denial in gymnastics. It's a beautiful sport but the other part is numbing. You become machinelike. They'll refute this, but I've been around it. I know.

An athlete learns how to hold her breath, but that doesn't work in singing. You have to learn to relax.

Acting allows me the freedom to let go, to be in the moment, to be spontaneous. I no longer have the fear of losing, of failure.

I grew up in a sport that didn't allow you to grow up. There was always the threat of younger competition. So you had to maintain the image of youth.

Nowadays a gold medal is a $1 million contract. Our athletes are our heroes.