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I thought it would be quite a challenge to direct a mystery thriller. I hadn't really done something like that.

Catherine Hardwicke

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Catherine Hardwicke
Age: 68
Born: 1955
Born: October 21
Architect
Film Director
Film Producer
Production Designer
Screenwriter
Cameron
Texas
Helen Catherine Hardwicke
Thought
Thriller
Done
Thrillers
Something
Hadn
Really
Challenge
Would
Direct
Like
Mystery
Challenges
Quite

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People love to talk, so let them have fun talking, I think they have an interesting, wonderful connection, so you knowWhat does dating mean? I don't know. I couldn't say. People love to talk, so let them have fun talking.
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I thought, If I can make you feel what it's like for that first super-passionate love, other people might like that too, and, of course, they did.
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I directed the first Twilight movie. It was in my contract that I could have gone on to do the other films, but I didn't feel as connected to the other books.
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If a scene doesn't work on three levels - it's not advancing the story, the characters, and telling me something new - then put it in the trash.
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The truth is, most of those female stories that are contending for Oscars are directed by men. Let's be honest. I looked at the 44 Oscar contenders in Variety that someone wrote up - there was not one directed by a woman. All the ones that were getting an Oscar pitch with the money and everything behind them were by men.
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When I was just five years old, I loved the scary layer and the symbolical power of the red cloak. I made my mom make me that red cloak, and I had to wear it on Halloween, two years in a row.
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Since I was a little kid, I did like fairy tale. I did dress up like Little Red Riding Hood. My mom had to make me a cape.
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I can go back to my very first movie, Thirteen, and think about that exact moment when I saw Nikki Reed and Evan Rachel Wood do their chemistry read audition together. It just came alive. I was filming it with a video camera and I was like, I know I can make a good movie now.
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I just wrote a really cool script. It's called One Track Mind. It's an origin story about the most successful and the most foul-mouthed, outrageous songwriter in history.
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Usually, we have some of those nostalgic moments like, Oh my god, I can't believe we survived that day, because filmmaking is such a wild roller coaster ride.
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Hardly any filmmakers can just make anything they want. Obviously, there are some exceptions, like Steven Spielberg, but he has that mainstream mentality and the kinds of films he loves to make are the kind that appeal to this big, mass audience.
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You can't really just think, Oh, I want to make something that is going to appeal to every single person in the world. You have to just try to make a movie that comes from your heart.
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I like doing commentary. As a filmmaker and film student, I think it's really interesting to hear what a director did and how they figured out how to do things. I often like the technical commentaries myself.
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Of course, the male-directed films make more money.
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People love to talk, so let them have fun talking.
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Most of the female-directed films, if they got distribution, would have fewer dollars to support the film and play in fewer theaters than the men. Because the female-directed films go to smaller companies. So the gap starts widening.
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Some of the best stuff in all my movies has been improv.
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