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Everyone has so much hope for a better humanity, and many, including [Jean Paul] Sartre, turned to the idea of communism in its beginnings. Generosity had a place in people's hopes.

Catherine Camus

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Catherine Camus
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More quotes by Catherine Camus

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I think for an artist what is most important is to touch as many hearts as possible.
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It's true that women appear very little in [Albert Camus] works. They have a very marginal place.
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[Albert Camus] is The First Man because he is poor, which has never been much to human beings.
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[Albert] Camus writes his acceptance speech for the Nobel Prize in thanks to his teacher.
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I couldn't ever act or think on behalf of what my father [[Albert Camus]] would have said or done. He's an artist, he considers himself an artist, and so he takes on the responsibility of speaking for those who are not given the means or the opportunity.
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I think for [Albert] Camus his mother was more than just that. She's love, absolute love. That's why it's written for her, dedicated to 'you who will never be able to read this book'.
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Just after the war, the liberation of 1945, [Albert] Camus was well known, well loved by [Jean-Paul ] Sartre and all the intellectuals of that generation.
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Politically, [Albert Camus] was in favour of a federation, and effectively he considered that like South Africa today (or as they are trying to do), there should be a mixed population with equal rights, the same rights for the Arab and the French populations, as well as all the other races living there.
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We can't talk about the book [Albert Camus] wanted to write because we have barely its beginnings. He had written hardly any of it, but he needed to write it. It seems to me that if you look at the style of The First Man it conforms much more to who he was as a man, it resembles him very closely.
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[Albert Camus] was viewed by many as an austere moralist, but it was on the football pitch and in the theatre that he learnt his 'morality'. It's something sensed, it won't pass uniquely through thought. It couldn't possibly.
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I think [Albert Camus] wanted to write something to explain who he was, and how he was different from the age that had been conferred upon him.
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[Albert Camus] started thinking through sensation. He could never think with artefacts or with cultural models because there were none. So it's true to say that his morality was extremely 'lived', made from very concrete things. It never passed by means of abstractions . It's his own experience, his way of thinking.
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I think [Albert] Camus felt very solitary. You can see it in all his books.
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We must remember that [Albert] Camus wrote not even a third of what he had wished to.
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Today this is what we are confronted with, I mean what is pure ideology, which takes no account of the human context. In economics it's the same. Economics wanted to take into account theory over and above human criteria, or the parameter 'man'.
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[Albert Camus] wasn't writing under the influence of the Nobel Prize. That was an external thing for the artist in him.
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The Outsider isn't [Albert] Camus, but in The Outsider there are parts of Camus. There's this impression of exile.
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The First Man is [Albert Camus] posthumous last work. But in fact, in a certain way, it is his first, because in it you find the signs of his commitments, and of the whole way of writing as well. This mixture of austerity and sensuality, the will to speak for those not able to speak for themselves.
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[Albert Camus] was completely intransigent, and that's not at all a neutrality. It's combat, it's a man who involved himself, committed himself.
Catherine Camus
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There are those who will find [Albert Camus] notions about absurdity appealing, and others who will be drawn by the solar side of his work, about Algeria, the heat and so on.
Catherine Camus