Quote

My husband wasn't put off by it - he thought it was hilarious to see me dressed as Dylan! He didn't particularly want to kiss me with stubble all over my face - it felt a bit odd! But I think he's used to it [the make-up process].

Cate Blanchett

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Cate Blanchett
Age: 55
Born: 1969
Born: May 14
Actor
Actress
Film Actor
Film Director
Film Producer
Stage Actor
Television Producer
Voice Actor
Melbourne
Australia
Catherine Élise Blanchett
Catherine Elise Blanchett
Felt
Particularly
Didn
Kissing
Thought
Husband
Stubble
Used
Wasn
Hilarious
Make
Bits
Dylan
Think
Face
Dressed
Thinking
Faces
Odd
Process
Kiss

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Mind the gap - it's the distance between life as you dream it and life as it is.
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I love strange choices. I'm always interested in people who depart from what is expected of them and go into new territory.
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I'm not interested in saying what people should and shouldn't do. It depends on how people feel about themselves. I suppose personally if you do anything out of fear or to mask who you are, then that's a bit scary. You've got to work with what you got.
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The one thing that all great cities have in common is that they are all different
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I think referendums are fantastic as long as the question is phrased in a way which is not meant to deliberately confuse or confound people.
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When I see daughters with their fathers I wonder what that would be like, although not in a way that immobilises me.
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Culture civilizes us, and that's why every single despotic regime has tried to smash [the arts].
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The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
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One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.
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I have the embarrassing thing where often if you're watching a film, you kind of go through the emotions and the thought stages that your character went through, but you sort of do it with Tourette's. So I end up often crying when I'm crying, and looking angry when I'm looking angry, so it's pretty ugly.
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His [Gough Whitlam's] effect on the geo-cultural-political map of Australia is so vast that wherever you stick the pin in you get a wealth of Gough's legacy.
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What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.
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For me, I think the bigger something is, the more difficult it is to make it nimble and fleet afoot.
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