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I've reprised roles in the theatre, which is somehow more accepted, and where one can automatically go deeper and further into the role.

Cate Blanchett

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Cate Blanchett
Age: 55
Born: 1969
Born: May 14
Actor
Actress
Film Actor
Film Director
Film Producer
Stage Actor
Television Producer
Voice Actor
Melbourne
Australia
Catherine Élise Blanchett
Catherine Elise Blanchett
Somehow
Accepted
Deeper
Role
Roles
Automatically
Theatre

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You learn an enormous lot through failure.
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That's why so many people want to play Hamlet: because it's a completely demarked role, and the actor playing it has to be prepared, through the language, to allow the audience to see into who he is.
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I love strange choices. I'm always interested in people who depart from what is expected of them and go into new territory.
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Absolutely, I think that is where a scent is so powerful because it harnesses our memory and our memory is a very emotional place. I do like the smell of excitement.
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I was but three when he passed by, but I shall be grateful until the day I die.
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One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.
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Sometimes I think it's so good not to win those things. And, anyway, who wants to peak when they're 28?
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Don't you find that work, if you love it, is actually really invigorating?
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If you think about Audrey Hepburn, I think she became more beautiful when she stopped being an actress and started working with humanitarian campaigns. The more engaged you can become the more you can shed your self-consciousness.
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I think referendums are fantastic as long as the question is phrased in a way which is not meant to deliberately confuse or confound people.
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As an actor I suppose you're constantly observing. I don't sit in restaurants making notes, I don't live my life in order to then feed it into my work.
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Particularly at the moment, it's an incredibly optimistic thing to bring children into the world.
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It seems like people increasingly just can't be by themselves because they're so used to having an epicenter on the Internet that actually exists for other people. Until someone clicks onto your Facebook page, it doesn't mean anything.
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There are certain things in ancient practices that are not worth adhering to.
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I think you're peripatetic when you work in this industry. My husband and I are assuming the role of co-artistic directors at the Sydney Theatre Company in 2008. But as long as the film industry will have me, I will have it.
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To record something on your iPhone to be watched later, that's like the opposite of theater. The joy of being there is experiencing it with other people. It doesn't translate onto your phone. It's about being present.
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I'm so misunderstood!
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The more you do it, the more you learn to concentrate, as a child does, incredibly intensively and then you sort of have to relax. I remember the first film I did, the lead actor would in between scenes be reading a newspaper or sleeping and I'd think, 'How can you do that?'
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I think you need to have a healthy sense of doubt because I think doubt leads to inquiry.
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I'm not a big believer in linear paths. I would always have these sort of five-year plans and think, 'Ok, I wouldn't mind to try to get here in five years.'
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