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There's one thing about weights with action movies: Once your muscles get that tight, it's sometimes hard to stop your movement, especially if you're trying to move with some strength, and with the swords in the film.

Cary-Hiroyuki Tagawa

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Cary-Hiroyuki Tagawa
Age: 74
Born: 1950
Born: September 27
Actor
Film Actor
Film Producer
Karateka
Martial Artist
Television Actor
Voice Actor
Higashiazabu
Hiroyuki Tagawa
Pantaleon Tagawa
Panteleymon Tagawa
Tagawa Hiroyuki
Tagawa Pantaleon
Tagawa Panteleymon
Pantaleon Tagawa Hiroyuki
Panteleymon Tagawa Hiroyuki
Pantereimon Tagawa Hiroyuki
Trying
Movement
Weights
Stop
Tight
Moving
Muscles
Action
Weight
Film
Especially
Hard
Strength
Sometimes
Move
Thing
Movies
Swords

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I was clear: I don't want to play businessmen with bifocal glasses and cameras, so if you're going to give me an Asian bad guy to play, then I'm going to give you the baddest Asian bad guy you've ever seen, and you're not going to forget that I was in the film.
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In Hawaii, there are 50-year-old grandfathers, because they got married so early.
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There were times when I purposely didn't go to school because of Pearl Harbor Day, because certainly there was enough media about it every year to remind everybody. So when I heard they were going to make the movie, I thought, Oh, no, please not another Pearl Harbor mention!
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Actors are always looking for ways to build a character.
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I have to humbly say people really like the bad guys.
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Kids keep getting wiser younger, which is dangerous, and adults need to stop taking themselves too seriously.
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The power and depth of Japanese acting certainly inspired me, so I was determined that Hollywood was going to get a taste of that, that Americans were going to get a taste of Japanese action.
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Looking back at my career, if there's one word that most people use to describe me, it's intense.
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In every aspect of society, including business and anywhere that creativity can be used, we can be - or we used to be, anyway - the most innovative country, because we weren't restricted by artificial limitations. We are made to be wild, free, and creative, and this clearly was a symbol of that kind of energy in America.
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I'm not a method actor, I don't write my character's history or all those kinds of things. I'm more about the 90 percent of the brain that is subconscious. I like to just pick certain pieces, let it soak in, and then let it kind of emerge out.
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That's the worst thing for an actor: when you say to someone, Yeah, I was in that movie, and they say, You were?
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There are a lot of wannabe men in Hollywood. But when you have that Hollywood mentality, there aren't a lot of real, grounded people.
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People say, How come you play bad guys so much? And I say, Well, have you seen many Asian good-guy roles?
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