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I've learned to really enjoy video games. It's really toxic to have in your house, because it's really distracting.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
House
Really
Distracting
Toxic
Video
Learned
Games
Enjoy

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I like to take things incrementally, and strive for something that feels more attainable.
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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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I got kind of tired of playing, I think. But I think it will be part of my life again, maybe.
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Just invest in apps. Just download apps and then pay yourself the dividend.
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I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
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I guess the role of art is to make something that is ambiguous and complex.
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I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.
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With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
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I have no desire to play music unless I need music.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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A lot of music for me was about - I mean aside from the fun and challenge of writing and being really good friends with my bandmates - getting to perform.
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Florida is such an unlikely place for a band, unless you're an emo or hardcore band. In terms of the touring route, or even the way the geography works in terms of bands and communities, Florida's always been this appendage that you either cut it off and dismiss it, or you somehow include it in your scope.
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
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The hedonistic lifestyle is difficult to achieve when you're still carrying your own gear. Trust me that you don't feel glamorous with a 60-pound amp in your arms it's a lot less sexy than toting a vodka gimlet and impossible to do in heels.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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Rock Band is more like Stairmaster than it is like rock 'n' roll - it's the same steps with different degrees of difficulty.
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You do have to live through things, and to live through things is to observe want, and to observe lacking. Even if the hunger is a curiosity.
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