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I've always loved writing. Doing that at the same time as playing music can be tiring.
Carrie Brownstein
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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Tiring
Tire
Playing
Loved
Music
Writing
Always
Time
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I think you should be prepared for a green-screen CGI at all times.
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I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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I think proteins are really good for your brain. And your brain is where comedy comes from.
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For me, being in shape means, like, not having cynicism out-weigh optimism on a daily basis.
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I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.
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I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
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A lot of music for me was about - I mean aside from the fun and challenge of writing and being really good friends with my bandmates - getting to perform.
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I got kind of tired of playing, I think. But I think it will be part of my life again, maybe.
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For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
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I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
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Music has always been my constant, my salvation. It's cliche to write that, but it's true.
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There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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I guess the role of art is to make something that is ambiguous and complex.
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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I don't want to mislead people.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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