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No matter what people are struggling with, or based on whatever. Sexuality, ethnicity, economic status, size. I don't wish smallness for anyone. It's a terrible place to live.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
People
Struggle
Smallness
Economic
Ethnicity
Anyone
Struggling
Whatever
Status
Wish
Sexuality
Place
Size
Live
Based
Matter
Terrible

More quotes by Carrie Brownstein

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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
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I'm kind of a hermit. it's almost easier for me to write about connection than to actually connect.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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A lot of music for me was about - I mean aside from the fun and challenge of writing and being really good friends with my bandmates - getting to perform.
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I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.
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Rock Band is more like Stairmaster than it is like rock 'n' roll - it's the same steps with different degrees of difficulty.
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Music has always been my constant, my salvation. It's cliche to write that, but it's true.
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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I wrote so much about fandom and participation for NPR that I eventually realized my most fertile way of participating in music is to actually play it, at least in a way that made the most sense to me.
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I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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From a self-conscious standpoint, it's hard to see myself on a screen in a way that isn't just me playing music or doing something silly.
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I think proteins are really good for your brain. And your brain is where comedy comes from.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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If you always want to look relevant, just be CGI-prepared.
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