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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Something
Parts
Involved
Process
Shows
Cohesive
Form
Disparate
Together
Improvisation
Live
Bringing
Even
Putting

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I think that there's always an assumption, when a band goes on hiatus or stops playing, that there's some acrimony brewing under the surface.
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If you always want to look relevant, just be CGI-prepared.
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I don't want to mislead people.
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I like to take things incrementally, and strive for something that feels more attainable.
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I have no desire to play music unless I need music.
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Music has always been my constant, my salvation. It's cliche to write that, but it's true.
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It's hard to beat the visceral high of playing live and creating something spontaneous.
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Just invest in apps. Just download apps and then pay yourself the dividend.
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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I need a template of a template
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
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There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
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Once you're away from music, I realize that's as intrinsic to who I am as anything else. That's the part that takes me out of my brain.
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The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
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To me, curiosity is married to optimism. And that's where a lot of my motivation comes from. A lot of my way out of depression and anxiety is that intersection between optimism and curiosity. Because it means taking a step forward with the hope that there will be discovery.
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