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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
Carrie Brownstein
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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Even
Putting
Something
Parts
Involved
Process
Shows
Cohesive
Form
Disparate
Together
Improvisation
Live
Bringing
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I think that the intentions are genuine in the search for authenticity, but it can tip over into absurdity so quickly. I just start to wonder, like, what authenticity even is, and whether we can even start to define it in such a globalized world.
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Practice. Learn and then unlearn - that's the trick in finding your own style of playing. You can't merely emulate, you have to innovate, or at the very least create your own path into the process.
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If you always want to look relevant, just be CGI-prepared.
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It's hard to beat the visceral high of playing live and creating something spontaneous.
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The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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For me, being in shape means, like, not having cynicism out-weigh optimism on a daily basis.
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I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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I feel like I came in comedy's side door, and still feel very fraudulent in many ways.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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I'm interested in the crevices, and the grotesque, and the unsavory. That started out when I was young... I've never quite been able to shake that.
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I have no desire to play music unless I need music.
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There are foods you should avoid. For me, sugar is a no. Because it gives me a spike and then a crash.
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I've always loved writing. Doing that at the same time as playing music can be tiring.
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I'm always trying to encourage people not to limit themselves in the same way that many of our parents stayed with one job forever.
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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