Quote

With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Thinking
Find
Intention
Feel
Okay
Sometimes
Taking
Feels
Humor
Something
Somebody
Really
Funny
Uneasy
Always
Making
Uncomfortable
Think
Comes
Seriously

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I think in some ways, whether you've ever actually been to Portland, people definitely understand this highly curated niche lifestyle, because a lot of people are sort of striving for that now. Or they're hating on it.
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These new bands sound like Gang of Four — if Gang of Four sucked.
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If you always want to look relevant, just be CGI-prepared.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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The internet is just a scary place. It's better to just go to the doctor. Don't let Google get inside your head. It will do bad things to you.
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I like to connect with people through my work. That's my favorite way - meetings of the minds, fans at a show. Those are nice mediated ways of hanging out.
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I have no desire to play music unless I need music.
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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I like to take things incrementally, and strive for something that feels more attainable.
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I'm always trying to encourage people not to limit themselves in the same way that many of our parents stayed with one job forever.
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The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
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People are wearing fleece, which is a hard fabric to be angry in.
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I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
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I got kind of tired of playing, I think. But I think it will be part of my life again, maybe.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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I don't want to mislead people.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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Just invest in apps. Just download apps and then pay yourself the dividend.
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