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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Summer
Theater
Summers
Wasn
Camp
Went
Camps
Class
Classes
Kids
Foreign
Music
Totally
World
Drama

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Florida is such an unlikely place for a band, unless you're an emo or hardcore band. In terms of the touring route, or even the way the geography works in terms of bands and communities, Florida's always been this appendage that you either cut it off and dismiss it, or you somehow include it in your scope.
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I think hypochondria always plays a part in the healthcare landscape.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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To me, curiosity is married to optimism. And that's where a lot of my motivation comes from. A lot of my way out of depression and anxiety is that intersection between optimism and curiosity. Because it means taking a step forward with the hope that there will be discovery.
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Once you're away from music, I realize that's as intrinsic to who I am as anything else. That's the part that takes me out of my brain.
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I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.
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I need a template of a template
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I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
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If you always want to look relevant, just be CGI-prepared.
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These new bands sound like Gang of Four — if Gang of Four sucked.
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You can't bury a part of yourself that's so innate to who you've been, even if it's not for the sake of anything other than a pure enjoyment of it.
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I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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You do have to live through things, and to live through things is to observe want, and to observe lacking. Even if the hunger is a curiosity.
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For me, being in shape means, like, not having cynicism out-weigh optimism on a daily basis.
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Practice. Learn and then unlearn - that's the trick in finding your own style of playing. You can't merely emulate, you have to innovate, or at the very least create your own path into the process.
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I guess the role of art is to make something that is ambiguous and complex.
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People are wearing fleece, which is a hard fabric to be angry in.
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People give the words life through their own adoration or relationship to the work, and that's true of everything. You can't divorce critical or fan reaction. Once it exists, you forget that the words are arbitrary, or you start to remove value.
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There was a clarity to the Nineties. It was pre-9/11, before that anxiety kicked in that exists right now about the financial crisis or terrorism. We were all just going to move forward into the millennium and everything was always going to get better. Then, whoops, that didn't happen.
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