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These new bands sound like Gang of Four — if Gang of Four sucked.

Carrie Brownstein

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Carrie Brownstein
Age: 49
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Sucked
Gang
Bands
Band
Four
Sound
Like

More quotes by Carrie Brownstein

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I'm always trying to encourage people not to limit themselves in the same way that many of our parents stayed with one job forever.
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I like to take things incrementally, and strive for something that feels more attainable.
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Rihanna has guts and she always seems to be singing from someplace honest, dark and fierce.
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I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.
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From a self-conscious standpoint, it's hard to see myself on a screen in a way that isn't just me playing music or doing something silly.
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I have no desire to play music unless I need music.
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The hedonistic lifestyle is difficult to achieve when you're still carrying your own gear. Trust me that you don't feel glamorous with a 60-pound amp in your arms it's a lot less sexy than toting a vodka gimlet and impossible to do in heels.
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I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
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When I'm cynical, I seek out bands that are fully participating and trying to push something forward. Or I can just start playing music again - which is happening with a new project. But I think it's always a challenge to overcome cynicism and not get bogged down by a sense of nostalgia. That can be such a stifling feeling.
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I need a template of a template
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I feel like I came in comedy's side door, and still feel very fraudulent in many ways.
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I wrote so much about fandom and participation for NPR that I eventually realized my most fertile way of participating in music is to actually play it, at least in a way that made the most sense to me.
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After Sleater-Kinney broke up in 2006 I had very little desire to play music. It took well over three years before picking up a guitar meant anything to me other than an exercise.
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For me, being in shape means, like, not having cynicism out-weigh optimism on a daily basis.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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I've always loved writing. Doing that at the same time as playing music can be tiring.
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I think when you're writing from your own life, it's hard because you realize that people have their own assessment of how they look, and they don't know how you will describe them.
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The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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