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I think hip-hop does a very good job of infusing comedy and humor and wit into music, a lot more than other genres.

Carrie Brownstein

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Carrie Brownstein
Age: 50
Born: 1974
Born: September 27
Actor
Blogger
Film Actor
Guitarist
Musician
Singer
Television Actor
Writer
Seattle
Washington
Carrie Rachel Grace Brownstein
Thinking
Genre
Humor
Comedy
Jobs
Infusing
Doe
Genres
Music
Hops
Good
Wit
Think
Hips

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People are wearing fleece, which is a hard fabric to be angry in.
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I've always loved writing. Doing that at the same time as playing music can be tiring.
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I'm really drawn to the uncompromising realness of natural process: It's unadorned. It's not very pretty.
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To me, curiosity is married to optimism. And that's where a lot of my motivation comes from. A lot of my way out of depression and anxiety is that intersection between optimism and curiosity. Because it means taking a step forward with the hope that there will be discovery.
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It wasn't just like, I want to make a record that sounds like classic rock at all. It was more like, I want to make a record that is a little more unsettling and maybe isn't as easily understood now. That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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Music has always been my constant, my salvation. It's cliche to write that, but it's true.
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We brainstorm an idea and then we do flesh it out a little bit - we come up with a script, mostly to have beats and a sense of a story and a narrative arc. Often when we get into the space and onto the location, that changes and something we discover in the moment becomes the moment, becomes the story, becomes the character.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
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For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.
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The fact that people go to Portland to visit a tiny feminist bookstore-no matter what the impetus is for them getting there-the fact that they go in there and look around and shop for books or stationery or whatever, is a major source of pride for me.
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These new bands sound like Gang of Four — if Gang of Four sucked.
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I don't think you need to sound like from where you're from. But I think there is something magical and powerful about encompassing something fully and singularly.
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If you always want to look relevant, just be CGI-prepared.
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As a kid, before I got into music, I did all the drama classes, went to theater camp in the summers, so it wasn't totally a foreign world.
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The game Rock Band has been haunting me like a bad ring tone. It gets stuck in my head and momentarily effaces all that I love about music.
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The internet is just a scary place. It's better to just go to the doctor. Don't let Google get inside your head. It will do bad things to you.
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I'm interested in the crevices, and the grotesque, and the unsavory. That started out when I was young... I've never quite been able to shake that.
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I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
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Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
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I think when you're writing from your own life, it's hard because you realize that people have their own assessment of how they look, and they don't know how you will describe them.
Carrie Brownstein