When you're young, all the accidents, all the pain you take them but at least you're very strong. In fact through time, it's just adding more and more pain more and more loss, and it makes you more fragile.

Acting is our job, not talking about it. In France, they know me like I belong to their family. I go somewhere and I feel like Im sometimes the aunt, the grandmother, the mother, the sister. They all know me. But its not supposed to be that way.

I did get offers from Hollywood, but they were all scripts with monsters in them. If I had done them, I would have disappeared. I would have come back to France anyway, and I would have had to start all over again and lost a lot of time.

Political debate is of no interest to me. What I want are practical solutions.

My characters always start well in movies. Almost every movie I've done starts with a happy marriage, it's all beautiful, wealthy, whatever... and then of course my husband leaves me, and everything falls apart.

The problem with movies is that you see from the first day you're on a train, and if the movie is not going in the right direction you know it right away. Sometimes, you can't get off the train, and the whole experience is painful.

I'm attached to my land in Pantelleria as if I'd inherited it. Acting is my job, Pantelleria is my home.

The first wine I drank, a Chateau Haut-Brion, I was 22, it was my first glass of wine, and I discovered voluptuousness. From there, I started tasting French wines, then Spanish wines, then Italian wines.

At night, I love to look in the houses. When I was little, I did that much more, when I was so bored. It might be awful in those houses, of course, but I still speculate about them in a romantic way. It's the same if you are famous: you are in the light, and most people have fantasies about you, but these fantasies have nothing to do with reality.