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Lenin thought abstract art was a conspiracy by the bourgeois to demoralize the proletariat. Yeah, socialist realism!

Carl Andre

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Carl Andre
Age: 88
Born: 1935
Born: September 16
Artist
Illustrator
Land Artist
Poet
Visual Artist
Writer
Quincy
Massachusetts
Carl André
Bourgeois
Realism
Conspiracy
Socialist
Abstract
Yeah
Demoralize
Art
Lenin
Thought
Proletariat

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I think my work is very American because I'm American. But I found that Europeans like uncertainty and doubt.
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Isn't it wonderful to be an artist whose works have mostly been lost?
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SoHo was called Hell's Hundred Acres because it was full of sweatshops - without fire escapes. Completely not up to code. Every once in a while, these buildings would burn and 26 Puerto Ricans would be killed.
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By nature, I am a materialist... It is exactly these impingements upon our sense of touch and so forth that I'm interested in.
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If you forge a Carl Andre, it's just another Carl Andre. It's not like a Vermeer.
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I grew up in a brick house. What's wrong with bricks? An Englishman took me aside and said, You have to understand, all the bricklayers in England are Irish, and the English hate the Irish.
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New York is dead. It's too expensive.
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Americans understand better than the Europeans and the English that any publicity is good.
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We don't have a single point of view for a road at all, except a moving one, moving along it.
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You can always find somebody to beat up. This goes back to the schoolyard. Most men would think, Don't chum with girls. But I chummed with girls.
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When I came to New York, it was cheap!
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I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.
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A place is an area within an environment that has been altered in such a way to make the general environment more conspicuous.
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I never drove a car in my life. Given my drinking habits in those days, I would have been dead a long time ago - stumbling out of a bar at 4 a.m. and getting into a car.
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I believe that woman are superior to men.
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I've never been a representational artist at all. Most artists have been representational. That's when you discover yourself.
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My art springs from my desire to have things in the world which would otherwise never be there.
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An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.
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The world is imperfect, and young people are always trying to perfect it and they always fail - which is a good thing. Who'd want to live in a perfect world?
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Once you turn something into something, its universal usage is over.
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