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SoHo was called Hell's Hundred Acres because it was full of sweatshops - without fire escapes. Completely not up to code. Every once in a while, these buildings would burn and 26 Puerto Ricans would be killed.

Carl Andre

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Carl Andre
Age: 89
Born: 1935
Born: September 16
Artist
Illustrator
Land Artist
Poet
Visual Artist
Writer
Quincy
Massachusetts
Carl André
Without
Code
Sweatshops
Every
Completely
Soho
Would
Hundred
Puerto
Building
Escapes
Hell
Acres
Full
Buildings
Fire
Burn
Called
Killed
Ricans

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A place is an area within an environment that has been altered in such a way to make the general environment more conspicuous.
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That's wonderful, but my mind has been destroyed by alcohol.
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You can always find somebody to beat up. This goes back to the schoolyard. Most men would think, Don't chum with girls. But I chummed with girls.
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Once you turn something into something, its universal usage is over.
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I grew up in a brick house. What's wrong with bricks? An Englishman took me aside and said, You have to understand, all the bricklayers in England are Irish, and the English hate the Irish.
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The world is imperfect, and young people are always trying to perfect it and they always fail - which is a good thing. Who'd want to live in a perfect world?
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I mean, art for art's sake is ridiculous. Art is for the sake of one's needs.
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My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
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I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.
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I think my work is very American because I'm American. But I found that Europeans like uncertainty and doubt.
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New York is dead. It's too expensive.
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An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.
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Americans understand better than the Europeans and the English that any publicity is good.
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Art is an intersection of many human needs.
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By nature, I am a materialist... It is exactly these impingements upon our sense of touch and so forth that I'm interested in.
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Isn't it wonderful to be an artist whose works have mostly been lost?
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We don't have a single point of view for a road at all, except a moving one, moving along it.
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Art is the exclusion of the unnecessary.
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I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.
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It seems with progress you gain certain things and you lose certain things. The automobile replaced the horse and buggy but you lost all of that nice manure.
Carl Andre