In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

Do what you want I don't care. That's the thing to say to an actor. Most people don't understand that. Not to manipulate them. That's what you say to an actor. You got a problem with the whole environment in doing that? Fine, what are we going to do to make the scene work? Now you have someone on your side. Now you have someone working with you.

I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.

I just wanna get to the end of the day without it raining.

I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.

The high desert has an effect on people. The place has a way of swallowing you up.

I'm 47, I have gray hair, and yet people still come up to me on the street who are in their twenties, who weren't even born when 'Singles' was made... well, they were pretty tiny, anyway... and they say, 'Oh, I love that movie.' And I always say, 'How OLD are you?'

I learned, especially from my mother, to respect the profession and take it seriously, but not take yourself too seriously.

I know it's good when I see a smaller film get recognized because it means more publicity for them. When you start producing and directing the movies are a little more like your children.

Most of us... are simply just trying to get through the day. And wait for those times in their life that are markers, that put things into relief. That's why we like movies and books so much.