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The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity's ancient campaign against pagan nature.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Ideas
Ancient
Strategies
Illusion
Ingenious
Sex
Pagan
Christianity
Separated
Emotion
Campaign
Christian
Campaigns
Idea
Strategy
Nature
Finally
Unworkable

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Criticism at its best is re-creative, not spirit-killing.
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American high schools have physically imprisoned young people, stripped them of civil liberties and fed them a diet of p.c. pap.
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We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.
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Male urination really is a kind of accomplishment, an arc of transcendance. A woman merely waters the ground she stands on.
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The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.
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We live in a period of declining stars. Few celebrities these days (aside from the smoldering Angelina Jolie) seem to have complex psychic lives.
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When it defines man as the enemy, feminism is alienating women from their own bodies.
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Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
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Repression is an evolutionary adaptation permitting us to function under the burden of our expanded consciousness. For what we are conscious of could drive us mad.
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Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.
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My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
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What feminism calls patriarchy is simply civilization , an abstract system designed by men but augmented and now co-owned by women.
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Sex is the point of contact between man and nature, where morality and good intentions fall to primitive urges.
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.
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The unhappy truth is that male homosexuality will never be fully accepted by the heterosexual majority, who are obeying the dictates not of bigoted society or religion but of procreative nature.
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What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear. [...] Walter Pater is to call her a 'vampire,' coasting through history on her secret tasks.
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Feminism has exceeded its proper mission of seeking political equality for women and has ended by rejecting contingency, that is, human limitation by nature or fate.
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