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In today's impoverished dialogue, critiques of liberalism are often naively called conservative, as if twenty-five hundred years of Western intellectual tradition presented no other alternatives.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Called
Twenty
Five
Dialogue
Critiques
Often
Twenties
Naively
Today
Conservative
Impoverished
Years
Western
Critique
Tradition
Presented
Intellectual
Liberalism
Hundred
Alternatives

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Tranvestism is far more common among men, I noted, because it originates in the primary relation of mother and son.
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Capitalism has its weaknesses. But it is capitalism that ended the stranglehold of the hereditary aristocracies, raised the standard of living for most of the world and enabled the emancipation of women.
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I believe that the shocking toll of AIDS on gay men in the West was partly due to their Seventies delusions that a world without women was possible. All-male energies, unbalanced and ravenous, literally tore the body apart.
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Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.
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The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity's ancient campaign against pagan nature.
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A war still rages over the legacy of the 1960s.
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Male mastery in marriage is a social illusion, nurtured by women exhorting their creations to play and walk. At the emotional heart of every marriage is a pietà of mother and son.
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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
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The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.
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[On Hollywood:] America's greatest achievement.
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As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.
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Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaver-like tunneling to the top.
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Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex.
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Not since the Black Panthers sailed into their Upper East Side tea party has there been so daffy an exercise in radical chic.
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