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Capitalism is an art form.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Form
Capitalism
Art

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The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
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Tranvestism is far more common among men, I noted, because it originates in the primary relation of mother and son.
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Anti-religious sneers are a hallmark of perpetual adolescents.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
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America is still a frontier country of wide open spaces. Our closeness to nature is one reason why our problem is not repression but regression our notorious violence is the constant eruption of primi-tiveness, of anarchic individualism.
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We live in a period of declining stars. Few celebrities these days (aside from the smoldering Angelina Jolie) seem to have complex psychic lives.
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The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented and with a mature sense of the sacred in Buddhism and Hinduism.
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Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
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The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
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The moment there is imagination there is myth
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All great stars are competitive. That's a sign of a true artist - if you don't have the fire of competition deep down inside, you're never going to achieve anything. You have to want to be king of the heap.
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Sex IS power. Identity is power. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live.
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Imperialism and slavery are no white male monopoly, but are everywhere from Egypt, Assyria, and Persia to India, China and Japan.
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Music never dies. Do we really need another Madonna tour? Does she have to compete with women performers 25 years her junior?
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Old school feminism, coveting social power, is blind to woman's cosmic sexual power.
Camille Paglia
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I guess I'm just a natural warrior.
Camille Paglia
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In the theory of gender I began from zero. There is no masculine power or privilege I did not covet. But slowly, step by step, decade by decade, I was forced to acknowledge that even a woman of abnormal will cannot escape her hormonal identity.
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In today's impoverished dialogue, critiques of liberalism are often naively called conservative, as if twenty-five hundred years of Western intellectual tradition presented no other alternatives.
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My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.
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