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When it defines man as the enemy, feminism is alienating women from their own bodies.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Men
Alienating
Defines
Feminism
Bodies
Enemy
Women
Body

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Poetry is the connecting link between body and mind.
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In the Seventies, women runners, developing amenorrhea and calcium-related shin splints, were the first to realize that nature is hovering over us, ready to shut down our systems if our fetus-feeding fat reserve drops below a certain percentage of body weight. In other words, in nature's eyes we are nothing but milk sacs and fat deposits.
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You have to accept the fact that part of the sizzle of sex comes from the danger of sex. You can be overpowered.
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Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
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Men knew that if they devirginized a woman, they could end up dead within twenty-four hours. These controls have been removed.
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What feminism calls patriarchy is simply civilization , an abstract system designed by men but augmented and now co-owned by women.
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I realize now how lucky I was, in the total absence of role models, to have only men to rebel against. Today's women students are meeting their oppressors in dangerously seductive new form, as successful congenial female professors who view themselves as victims of a rigid foreign ideology.
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Your life is a Fellini film, lacking only Anita Ekberg with a cat on her head.
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When anything goes, it's women who lose.
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Sex is the point of contact between man and nature, where morality and good intentions fall to primitive urges.
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A war still rages over the legacy of the 1960s.
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The reform of a college English department cuts no ice down at the corner garage.
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Judeo-Christians have got to respect the pagan truth shown in the popular culture of sex and violence. It's meaningful about the elemental forces of life, the brutality of life and nature.
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We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
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The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
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Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.
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The search for freedom through sex is doomed to failure.
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My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
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