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Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Men
Workers
Like
Ideals
Mines
Worker
Mine
Coal
Female
Ideal
Woman
Male
Today
Males
Work
Gay

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Heterosexual love,. is in sync with cosmic forces. Not everyone has the stomach for daily war with nature.
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As a major contemporary composer, Madonna should not let the eye dictate to the ear.
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Art is something out of the ordinary commenting on the ordinary.
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Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.
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The most successful prostitutes are invisible, because the sign of a prostitute's success is her absolute blending with the environment. She's so shrewd, she never becomes visible. She never gets in trouble. She has command of her life, and her clients.
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Academic Marxists, with their elitist sense of superiority to popular taste, are the biggest snobs in America.
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The more woman aims for personal identity and autonomy ... the fiercer will be her struggle with nature - that is, with the intractable physical laws of her own body. And the more nature will punish her: 'Do not dare to be free! For your body does not belong to you.'
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Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind.
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They do not understand the fragility of civilization and the constant nearness of savage nature.
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Madonna is the true feminist. She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising control over their lives.
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The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.
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In the theory of gender I began from zero. There is no masculine power or privilege I did not covet. But slowly, step by step, decade by decade, I was forced to acknowledge that even a woman of abnormal will cannot escape her hormonal identity.
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The moment there is imagination there is myth
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We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.
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History shows that male homosexuality, which like prostitution flourishes with urbanization and soon becomes predictably ritualized, always tends toward decadence.
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Feminism has exceeded its proper mission of seeking political equality for women and has ended by rejecting contingency, that is, human limitation by nature or fate.
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If men are obsolete, then women will soon be extinct -- unless we rush down that ominous Brave New World path where women clone themselves by parthenogenesis, as famously do Komodo dragons, hammerhead sharks, and pit vipers.
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Are we like late Rome, infatuated with past glories, ruled by a complacent, greedy elite, and hopelessly powerless to respond to changing conditions?
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In the Seventies, women runners, developing amenorrhea and calcium-related shin splints, were the first to realize that nature is hovering over us, ready to shut down our systems if our fetus-feeding fat reserve drops below a certain percentage of body weight. In other words, in nature's eyes we are nothing but milk sacs and fat deposits.
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Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women.
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