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American high schools have physically imprisoned young people, stripped them of civil liberties and fed them a diet of p.c. pap.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
American
Diet
School
Diets
Young
Physically
People
Civil
Schools
Imprisoned
Liberty
Stripped
Politics
Liberties
High
Feds

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Because of my own family's service (in the U.S. Army, Navy, and Massachusetts and New York National Guard), I am a strong supporter of the military and do believe that there are just wars.
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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
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The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
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History shows that male homosexuality, which like prostitution flourishes with urbanization and soon becomes predictably ritualized, always tends toward decadence.
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I do not believe in God, but I believe God is man’s greatest idea. Those incapable of religious feeling or those (like hard-core gay activists) who profane sacred ground do not have the imagination to educate the young. … Until the left comes to its senses about the cultural power of religion, the right will continue to broaden its appeal.
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As a major contemporary composer, Madonna should not let the eye dictate to the ear.
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I'm a professor of media studies as well as humanities, and I'm an evangelist of popular culture, but when there's only media, then there's going to be a slow debasement of language, and that's what I think we're fighting.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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What has been forgotten is that there were major intellectual breakthroughs in the 1960s, thanks to North American writers of an older generation. There was a rupture in continuity, since most young people influenced by those breakthroughs did not enter the professions.
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When anything goes, it's women who lose.
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There is no female Mozart because there is no female Jack the Ripper.
Camille Paglia
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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Not a shred of evidence supports the existence of matriarchy anywhere in the world at any time... The matriarchy hypothesis, revived by American feminism, continues to flourish outside the university.
Camille Paglia
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Not since the Black Panthers sailed into their Upper East Side tea party has there been so daffy an exercise in radical chic.
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For me, the Profumo affair symbolizes the evanescence of male government compared to women's cosmic power.
Camille Paglia
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Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
Camille Paglia
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We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.
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Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Everyone born into capitalism has incurred a debt to it. Give Caesar his due.
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Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
Camille Paglia
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The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.
Camille Paglia