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The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Became
Misogyny
Genius
Athens
Great
Orientation
Inseparable
Classical
Male
Males
Despite

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The only antidote to the magic of images is the magic of words.
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Our liberal, New York/Washington-based media would never in a million years put Liberal Godfather Ted Kennedy on the spot about his clan's bad behavior, to whose lurid history he himself has contributed so much.
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American high schools have physically imprisoned young people, stripped them of civil liberties and fed them a diet of p.c. pap.
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The most successful prostitutes are invisible, because the sign of a prostitute's success is her absolute blending with the environment. She's so shrewd, she never becomes visible. She never gets in trouble. She has command of her life, and her clients.
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I guess I'm just a natural warrior.
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Young feminists have been sold a bill of goods about American feminism. The enormous changes in women over the past 40 years are constantly and falsely attributed to the organized women's movement of the late 1960s and '70s.
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Pregnancy demonstrates the deterministic character of woman's sexuality.
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They do not understand the fragility of civilization and the constant nearness of savage nature.
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Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
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Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.
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As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.
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The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
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In the theory of gender I began from zero. There is no masculine power or privilege I did not covet. But slowly, step by step, decade by decade, I was forced to acknowledge that even a woman of abnormal will cannot escape her hormonal identity.
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